The Quiet Violence of Pride

 

From a young age we are taught that pride is a virtue. We hear it everywhere, be proud of who you are, where you come from or what you belong to. It is often seen as a sign of strength, self respect and confidence. Be proud of your nation, your language, your school, your religion, your family- the list goes on. But beneath this positive message lies an unspoken reality.

At its core pride often goes beyond appreciation. It is not just about valuing what you have but about elevating it above everything else. Think about it this way, When you say you are proud to be Indian, it may start as a simple love for country but it can easily turn into seeing other countries as lesser. If you are proud to be South Indian, it can lead to looking down on people from the North. If you are proud to be Tamilian, you may find yourself feeling superior to speakers of other languages. 

The same mentality seeps into other areas of life as well. If you are proud of your school or college, you may unconsciously see other educational institutions as inferior. If you are a first ranker, you may look down on the second ranker. Pride in one’s profession can also lead to thinking lower of those who choose different professions. If you are a proud man, you might feel women are inferior. This is not limited to major aspects of life but even in small things, such as feeling superior for having a better car, better clothes or better anything.

What starts as a simple feeling of pride quickly changes into the creation of barriers that separate “us” from “them". Pride is often rooted in comparison. When it shifts towards feeling superior to others, it subtly creates divisions that reinforces forms of discrimination that goes unnoticed. People may claim to be progressive and fight for equality but in personal lives pride often shapes judgments and biases, sometimes without even them realizing it.

Any form of pride ultimately creates discrimination. Even pride in being human can make us overlook the value of other living beings, causing us to view ourselves superior to animals and other forms of life. It is not always obvious or aggressive but sometimes it is a quiet invisible form of bias that shapes how we view others. We convince ourselves that our pride is harmless maybe even righteous. But in reality it creates a mindset where others are seen as lesser. 

So the next time when you are encouraged to be proud, Ask yourself whether that pride is truly about appreciating what you have or if it is becoming a way to look down on others. Because in the end any form of pride is wrong. It draws lines where there should be none.

Re released Cinema: Exploiting Nostalgia to Cash in on Audiences

 

It is almost amusing to see how old films are being thrown back into theatres these days, marketed as 're releases' and 'nostalgic experiences'. Producers and Theatre owners capitalizing on this sudden wave of nostalgia to squeeze every last rupee from the audience.  Let us not pretend that it is some kind of heartfelt tribute to fans but this is purely business. These films which have already completed their theatrical run and made their profits are now being dragged back, not because they deserve another round but simply to squeeze money from fans.

The baffling part is that these re released films which anyone can watch online for free are still drawing crowds to theatres, with fans paying for something already at their fingertips. Many of these films have not aged well, yet the nostalgia factor is used to mask their flaws creating an illusion that keeps the audience coming back. There is nothing new being offered and instead of demanding fresh content, we have fallen into a cycle where we reward mediocrity simply because it is termed nostalgia. All this does is inflate producer's bank accounts while pushing original films aside.

It is not just the audience being exploited, It is also the new smaller films that struggle to get screen time. While the big re released films dominate, fresh original content finds itself buried. Small films that may actually deserve the attention are pushed aside to make room for something that is already been done. Instead of fresh experiences we are stuck replaying the past.

The real question is: Are we that desperate for a trip down memory lane or are we just too lazy to demand better? At what point do we stop playing into the hands of profit hungry producers and theatre owners who do not care about cinema, but only about filling their pockets? If the audience can not even see how they are being robbed, maybe it is time to take a step back and reconsider what we are truly celebrating when we pay to watch what is already sitting on our living room screens.

Film Appreciation: The Usual Suspects

 

Released in 1995, "The Usual Suspects" directed by Bryan Singer remains one of the most iconic crime thrillers in Hollywood. With a talented cast that includes Kevin Spacey, Gabriel Byrne, Benicio Del Toro, Kevin Pollak and Stephen Baldwin, the film quickly earned a cult status for its complex storytelling and the twists. Written by Christopher McQuarrie, this film is a masterclass in suspense and mystery.

Kevin Spacey’s performance as Verbal Kint is nothing short of exceptional. His character’s nervous behavior and innocence pull viewers in, making him both likable and intriguing. Gabriel Byrne plays Dean Keaton, an ex criminal trying to escape his past adds depth and complexity to the character. Del Toro’s quirky portrayal combined with Pollak and Baldwin’s sharp performances adds layers to the story, making every scene engaging.

The story begins with five criminals meeting during a police lineup and getting pulled into the plans of a mastermind named Keyser Söze. The film unfolds through a series of flashbacks leading to a heist that spirals out of control. Yet this is not just a typical crime thriller. It is a puzzle where every piece fits together in unexpected ways leading to one of the most unforgettable climaxes in cinema. The narrative plays with the concept of unreliable storytelling, making the audience question what is real and what is fabricated.

John Ottman’s musical score heightens the suspense that complements the film’s tone. The tension in the soundtrack paired with Newton Thomas Sigel’s excellent cinematography brings an atmospheric intensity to the film. The clever use of shadows and lighting highlights the character's unclear morals and adds to the mystery of the story.

This is a film that rewards patience. It takes its time building characters and setting up its complex plot. It is not just the twist ending that leaves an impact but the journey leading up to it, filled with subtle hints and clever misdirections that only reveal upon a second viewing. For those who appreciate complex storytelling and clever plot twists "The Usual Suspects" is a must watch. This is for viewers who enjoy being kept on the edge of their seats questioning every detail and appreciating the craft of a mystery.

Film Appreciation: Rocky

 

"Rocky" Released in 2021, is the directorial debut of Arun Matheswaran who brings a distinct and audacious vision to Tamil cinema. Starring Vasanth Ravi, Bharathiraja and Rohini, the film carves a brutal yet poetic narrative that stands apart from mainstream storytelling. Arun's style is bold that embraces the rawness of human emotions and the disheartening reality of revenge.

The story follows Rocky, a man who is released from prison after spending years behind bars. He sets out on a path of revenge against the people who destroyed his family. The film explores the weight of his past and the haunting memories that drive him. Yet, "Rocky" is not just a tale of bloodshed, it also delves into the consequences of violence and the toll it takes on one's soul, making his journey more introspective than action packed.

Vasanth Ravi delivers a stellar performance as Rocky, embodying the silent rage and deep seated trauma of a man driven by vengeance. His performance is intense with a quiet but powerful presence that communicates more than words ever could. Bharathiraja’s seasoned portrayal as a morally grey elder offers a subtle contrast, adding layers to the narrative. Rohini’s brief but heartfelt scenes bring a touch of tenderness to the film, grounding it emotionally.

Darbuka Siva’s music and Shreyaas Krishna’s cinematography elevate this film to an atmospheric experience. The soundtrack is haunting and often blends seamlessly with the visuals to create a meditative mood. The moody frames with their heavy use of shadows and silhouettes, accentuate the film’s raw tone, making every scene feel like a carefully crafted painting.

As a film, "Rocky" is not for the faint hearted. The film pushes viewers with its slow pace, intense visuals and thought provoking storytelling. Arun Matheswaran does not avoid uncomfortable moments, instead encouraging viewers to face the harsh consequences of seeking revenge. This artistic boldness might alienate some but it rewards those willing to immerse themselves in its world.

For those who appreciate slow burn narratives and are unafraid of exploring the darker corners of the human psyche, "Rocky" is a rare gem. It is an experience that makes you question the true price of redemption.

Film Appreciation: Whiplash

 

"Whiplash" released in 2014, directed by Damien Chazelle is a gripping film on the pursuit of excellence. Starring Miles Teller as Andrew Neiman, as a young jazz drummer and J.K. Simmons, in an Oscar winning performance as the tyrannical music instructor Fletcher. This film grabs your attention from the start and keeps you on the edge of your seat throughout.

The cinematography in film is exceptional, with tight close ups and dark spaces that amplify the intense pressure Andrew faces. The camera often stays on his face or hands, creating a claustrophobic atmosphere that mirrors his mental and physical state. The visual style is as oppressive as the expectations placed on him drawing you into his world of obsession. The contrast of light and shadow also emphasizes the emotional extremes that the characters experience.

Damien Chazelle’s direction keeps the film constantly on the edge. He knows how to control pacing, shifting between moments of intense action and quieter, more reflective scenes that give the audience a moment to breathe. Chazelle expertly builds tension with every scene that shows you the complicated dynamic between Andrew and Fletcher. He masterfully blurs the line between what motivates someone to greatness and what might break them.

The performances in this film are electrifying. Miles Teller brings a raw energy to his role as Andrew, portraying the young drummer’s determination and obsession with intensity. His physicality in the drumming scenes makes you feel his exhaustion and his drive to push beyond his limits. J.K. Simmons however steals the spotlight as Fletcher. His commanding presence and terrifying intensity make him a force of nature on screen. His performance is both powerful and chilling and the chemistry between him and Teller is the emotional backbone of the film. Their relationship is complex, shifting between mentor and tormentor and it fuels the emotional intensity of the film.

The music is the heart of "Whiplash", driving the narrative forward. The fast paced jazz sequences are more than just background noise, they are an emotional experience. The rhythm of the drums matches Andrew’s heartbeats and every crash feels like a step closer to either victory or collapse. The music is neatly used to show Andrew’s frustrations, his growing desperation and his eventual breakthrough. The drum solos makes the viewer feel every ounce of Andrew’s struggle to succeed.

By the time the film reaches its explosive finale, you are left breathless, caught between the thrill of Andrew’s excellence and the overwhelming realization of the sacrifices he has made. "Whiplash" does not just ask if greatness is worth pursuing, it shows you the intense emotional and physical cost of reaching the top. Making it a powerful and unforgettable experience.

GVM’s Love Stories vs His Views on Boundaries

 

I am a huge fan of Gautham Vasudev Menon. His films are unique, poetic and sometimes even raw. So, when I came across an interview where he said, "If only the girl takes a step, you should take the step, if not you should not go to that side", it struck me as an incredibly mature line. He framed it as a gentleman’s way of recognizing boundaries. It is not often that you hear a male filmmaker articulate that level of sensitivity toward a woman's consent and boundaries.

But when I revisited some of his iconic films, I cannot help but notice a contrast. Take "Vinnaithaandi Varuvaaya" for example, a film I adore for the chemistry between Karthik and Jessie. But the truth is, Karthik’s persistence crosses into obsession even when Jessie repeatedly rejects him. It is romanticized to such a degree that his relentless pursuit becomes enjoyable to the audience. This disparity between his real life views and the stories he chooses to tell on screen is hard to ignore.

It is not just the men in his films who pursue despite rejection. In "Yennai Arindhaal", Hemanika continues to chase Sathyadev even after he tries to distance himself due to his tragic past. Despite his clear hesitation, she pushes through breaking down his emotional barriers until he eventually gives in. While the film frames her determination as an act of love, it raises questions about boundaries. GVM’s real life perspective emphasizes respecting space, yet his films often glorify characters who ignore initial resistance, suggesting that continuous pursuit equals love.

Perhaps this is the challenge of art and reality clashing. GVM in real life talks about respecting personal boundaries but his films often show a different and more complicated side of love where those boundaries are crossed or ignored. Maybe he is showing that real love is complicated and that people do not always behave ideally when their hearts are on the line. Or maybe he is simply fullfilling the dramatic expectations of the audience. 

But Isn’t this confusing for those who admire his movies and interviews, seeing him as someone who values respect and is a gentleman, only to watch his characters "chase" even after being told no? How do we make sense of him promoting respect for boundaries while his characters ignore them? 

Rain, Road and the Ride Home

 

There is a certain magic in the early hours before dawn. The world still sleeps, wrapped in darkness. Yesterday as the clock struck 4 am I left Chennai. The highway stretched ahead of me promising open roads. The plan was to cover the 720+ kilometers and reach home by afternoon. After two hours of riding in darkness, the sun finally rose spreading a golden light over the highway. It felt like the perfect start to the day as everything around me slowly came to life.

The first half of the ride was smooth with a gentle breeze and a pleasant drizzle now and then. The roads were empty and the cool weather made it all the more enjoyable. But by the middle of the ride just when I thought I could finally pick up some speed, I realized my fuel was running dangerously low. Somehow my mileage calculation had gone completely wrong. The bike came to a halt on a lonely stretch. Exhausted, I pushed it for a while until a group of youngsters appeared out of nowhere and used their bikes to tow mine to the nearest fuel station about 1.5 kilometers away. Their unexpected kindness was just the boost I needed to keep going.

But as I hit the outskirts of Madurai the clouds began to gather again and soon the rain started to pour. The rain did not pour continuously but came in sudden bursts which kept forcing me to adjust my pace. I had to slow down on slippery stretches but it also meant I did not have to battle the blazing heat. In a way, the light showers kept the weather pleasant, making it easier to keep pushing forward without overheating.

Despite the rain trying to take away time, the ride had its rewards. The unplanned stops at bus stops or under trees allowed me to rest for a moment and gather myself before getting back on the road. Riding through lush fields as the countryside came to life, made me appreciate why long rides are so special. These glimpses of morning life, the scent of wet earth and the chirping birds were all part of the journey.

As I neared the final stretch towards my hometown Kanyakumari, the rain finally eased and the skies began to clear. Suddenly the familiar scent of roasted corn filled the air drawing me to the side of the road. The warmth of the corn was a welcome comfort after hours of riding in the cold. It was not much but that simple treat felt like a piece of home offering a perfect break before the final stretch of the journey.

When I finally reached home at 4 pm, drenched from head to toe but with a sense of fulfillment. I realized the journey had taken twelve hours instead of the planned ten. Yet, despite the rain, the fuel issue and the unplanned stops, it was a ride I would not exchange for anything. There is something fulfilling about the unexpected challenges, the small joys on the roadside and simply making it back home with stories to tell.

Standing By is Still Choosing a Side

 

We often convince ourselves that silence is a form of neutrality and that by not getting involved we are simply staying out of conflict. This belief however is a dangerous illusion. The truth is doing nothing is a choice and every time we choose to ignore an injustice, we are allowing it to continue. The concept of being a "bystander" is often thought of as passive and harmless but in truth it means we are making a choice to do nothing which indirectly supports the wrongdoer.

Take for example, witnessing a person being harassed in public. It is easy to look the other way thinking that our involvement could make the situation worse or that it is not our place to intervene. But by doing so we are in effect giving the aggressor permission to continue. The moment we turn away, we are not passive observers instead we are silently supporting the power dynamic that allows such behavior. 

The myth of "staying out of it" fails to notice the reality that nonaction strengthens the existing power dynamics. Take the issue of poverty as an example. Many of us may feel that we can not do much to address systemic inequality so we choose not to engage. But by remaining silent, we reinforce the idea that the systems in place are unchangeable and the struggles of others are not worth addressing. Inaction in this sense means a quiet acceptance of inequality. 

Injustice is rarely Loud. It often grows when people choose to stay silent and not take action. But the absence of action does not equate to innocence, it is a choice to allow things to stay as they are. The harm continues, the oppressed remain unheard and the powerful are encouraged. The world does not change by those who do nothing. It changes when people get involved, speak up and refuse to support what is wrong.

Silence is not protection, it is an agreement with the injustice that we hope will fade. The real question is: when we look away, are we simply bystanders or are we quietly allowing the harm to continue?

Vetri Maaran's Language is More Than Just Swearing

 

Recently I have noticed a trend where memes mock director Vetri Maaran’s work, using vulgar language to distort the essence of his films. These memes often take scenes from other movies and label them with the tagline, "What if Vetri Maaran had done this?" The intention behind these memes is to show the use of bad words in his films, but it misses the point entirely. Vetri Maaran does not use profanity for shock value, It is a tool in his storytelling.

Take "Vada Chennai" for example. The film is set in the underworld of Chennai where the character's lives are shaped by violence, betrayal and survival. The harsh language reflects the brutal environment these characters inhabit. It is not there to make the film provocative or sensational but to make the audience feel the weight of the world these people live in. The language is as raw as the lives these characters lead. 

Similarly in "Visaranai", Vetri Maaran uses abusive language to express the sheer violence of the police brutality. It is easy to dismiss bad words as vulgar but in this context they reflect the abuse of power. The language does not just highlight the violence but it also deepens the emotional impact. It amplifies the suffering making the film not just a critique of the system but an experience for the viewer.

What is frustrating is how people reduce his films to just the language used, ignoring the broader themes he discusses in his films. Vetri Maaran is a master at integrating these complex ideas into his narratives. "Aadukalam" is another example. The film explores themes of betrayal and pride, where the character's struggles are expressed in the simplest yet powerful way. The raw, sharp exchanges of words between characters are not meant to be provocative they are the core of the film’s emotional drive.

In Vetri Maaran’s films bad words are not the entire story, They are a vehicle for much deeper human emotions. The problem is people do not see that instead they focus on the profanity and miss the depth. His films wants us to look beyond the words and understand the language at its most raw form, that can tell a far richer story than any polite dialogue ever could. People should stop mocking Vetri Maaran’s use of language and start understanding its purpose.

Lucky Baskhar Review

 

"Lucky Baskhar" Directed by Venky Atluri brings Dulquer Salmaan and Meenakshi Chaudhary to the screen in a gripping tale set on the 1980s. With music composed by G.V. Prakash Kumar, the film is in a world of financial ambition and moral ambiguity.

The story follows a bank cashier who is desperate to improve his financial status, ventures into stock market. As he gets deeper, he finds himself entangled in the complex world of money laundering. While the concept is not entirely new, fans of "Scam 1992"will recognize the theme. This film brings a fresh take on balancing crime with an emotional core. Rather than focusing solely on heroics, the narrative finds strength in the realistic struggles and vulnerabilities of its characters, creating a balance.

The casting is spot on with each actor effectively playing their roles. Dulquer Salmaan in particular shines in his portrayal even with limited opportunities for intense, expressive scenes. He brings depth and nuance to his character, anchoring the film with a strong, believable performance. The supporting cast also fits seamlessly into the story.

Cinematography deserves special mention for capturing the rustic feel of the 80s. The setting feels alive with old-school cars, carefully styled costumes and colours that pulls audience into that era. The visuals make us feel part of the time period enhancing the story’s atmosphere and amplifies the film.

The screenplay is a true standout keeping viewers on the edge of their seats. Each shot builds up the tension and draws out a nervous energy that is from start to finish. The story unfolds with a rhythm that keeps us invested making each character moment significant. There is an neat emotional foundation that brings depth to the crimes being depicted, making the crimes feel personal and engaging.

On the music front, G.V. Prakash Kumar has done a decent job. While the songs are well placed and add to the film’s charm, the movie’s pace would still hold strong even without them. The background score intensifies the emotions adding to the overall impact of key scenes. 

Overall "Lucky Baskhar" is a well crafted movie and a must watch in theaters. The engaging screenplay and strong performances pull you into a world that keeps you rooting for the protagonist. For anyone looking for a solid crime that balances crime and emotion, "Lucky Baskhar" would not disappoint.

Rating: 8.0/10 ⭐

Amaran Review

 

Rajkumar Periyasamy’s "Amaran" brings Major Mukund Varadarajan’s story to the big screen, paying tribute to the bravery of an officer who sacrificed his life in an operation. With Sivakarthikeyan and Sai Pallavi in lead roles, along with Rahul Bose and Bhuvan Arora, the film attempts to capture the spirit of heroism while staying true to real life events. Although it mostly succeeds there are aspects that hold it back.

I was Skeptical about Sivakarthikeyan’s casting considering his background in lighter, comic, love roles. However he delivers a performance that shows a new side of his acting abilities. He manages to pull the character of a soldier with a sincerity that feels fresh. Sai Pallavi’s character on the other hand comes across as slightly overdone in her emotional expressions. If this is an accurate reflection of Indhu’s character in reality, then her portrayal is justified otherwise it feels a bit overdone on the screen.

One of the highlights is GV Prakash’s music, which lifts the emotional moments with subtle but well timed background scores. The music complements the intensity of the story bringing out both the tension and the emotion. His contribution both in songs and score is one of the film’s strong points. The cinematography is another positive, especially in capturing the landscapes and atmosphere of the army’s operations. The Kashmir scenes are visually impressive and even the CGI is neatly done enhancing rather than detracting from the action.

The film’s pacing is where it stumbles slightly. Being a true story, it needs to maintain authenticity, yet certain parts feel prolonged especially scenes that focus on minute details of Terrorist, Army and Love portions. These moments while aiming for depth sometimes felt unnecessarily stretched in places. A few scenes also felt a little dramatic for a Biopic.

Yes I understand that this is Major Mukund’s story but still there is a noticeable lack of attention given to the other soldiers who were part of his unit. The film misses to show the shared sacrifices of Mukund’s comrades which could have added a layer to the story. Acknowledging their bravery alongside his would have offered a more balanced tribute to the collective courage displayed on the battlefield.

"Amaran" makes a strong impact in terms of emotions with some moments leaving a lasting impression. This film is likely to resonate with audiences who appreciate stories of courage and sacrifice, though some may find the storytelling style a bit heavy. Overall, A decent watch.

Rating: 6/10⭐️