Tumbbad Review

Yesterday I got the chance to watch Tumbbad in theaters despite its availability on Prime Video. Released in 2018, This film deserves the cinematic experience, and witnessing it on the big screen was mesmerizing. The film revolves around the search for a hidden treasure connected to the cursed goddess of the village. As we follow the protagonist, Vinayak, the narrative unfolds through dark and twisted pathways filled with mythological references. 

The making of Tumbbad reflects the vision of director Rahi Anil Barve, who crafted this unique blend of folklore and horror. The film draws inspiration from Maharashtra's mythology, particularly the tale of Hastar, the god of greed. Its stunning visuals came from extensive locations and collaboration between cinematographer Ranjit K. K. and the art team, ensuring an authentic period atmosphere. The careful attention to detail in costumes and sets contributes to an immersive experience, making it a standout.

This film explores several complex themes, including greed, adultery, and betrayal. The central theme of greed drives the story, illustrating how Vinayak’s obsession with wealth leads him down a dark path of moral corruption. The film also delves into adultery, showcasing how lust and desire can complicate relationships and lead to betrayal, particularly as Vinayak's pursuit of treasure creates rifts between him and those around him. This intertwining of desire and betrayal reflects the broader human experience, highlighting the consequences of choices made in the name of ambition. Additionally, the theme of fear of the unknown is present, as characters confront both supernatural forces and the darker sides of their own natures.

The performances are interesting, with Sohum Shah delivering a standout portrayal of Vinayak. His evolution from an innocent boy to a man consumed by greed is captivating. The film’s pacing allows us to stay put in its haunting world while the cinematography captures both the beauty and horror of Tumbbad’s landscapes. Each shot has an aura drawing viewers deeper into the story.

The narrative’s exploration of human desire and the consequences of greed resonates deeply. As Vinayak digs deeper into his obsession, the film serves as a caution about the darkness that lurks within us all. The mythical elements are seamlessly woven into the plot, heightening the sense of terror.

This is not merely a horror film; it is an experience. The sound design amplifies the tension while the chilling score complements the visuals perfectly. Every aspect works in harmony to create an immersive environment. Watching Tumbbad in a theater is a journey worth taking. It is a film that demands attention and appreciation not just for its artistry but for its ability to evoke real emotion. If the opportunity arises, it’s a film that should not be missed on the big screen.

7.5/10⭐️

Can Money Buy Happiness?

When we hear the question, “Can money buy happiness?” it is easy to expect a simple answer. Many of us are conditioned to think that more money means more happiness. We see it everywhere; on social media, in advertisements, or even in casual conversations with friends. There is this widespread idea that if you have enough money, you can create the perfect life. Buy the dream house, drive the luxury car, travel to exotic places, and live without worry. It paints a picture where financial success is the gateway to happiness.

But the question is not as easy as we think. It is not a matter of yes or no. There is something much deeper because happiness is complex. The mistake we often make is thinking that happiness is universal, something that can be quantified or measured by the same scale for everyone. But that is not the case. Money might bring happiness to some, while for others, it might be far from the answer.

Personally, I have come to believe that happiness is subjective. For me, happiness does not come from material wealth or possessions. It is found in the simplest of things; in human connection, in acts of kindness, in a deep conversation, a peaceful ride down a quiet road, a smile from a stranger, a kind gesture, or the wind on my face as I ride through nature, these are moments that give me a sense of peace and happiness that no amount of wealth could get me.

But here is where it gets interesting. What makes me happy is not necessarily what will make someone else happy. For some, happiness might indeed be tied to material things. Maybe it is the thrill of buying a new car, getting the latest smartphone, or buying branded shoes or clothes. Perhaps, for them the excitement of owning something new brings a sense of fulfillment and joy. And who is to say that is wrong? 

We each have our own sources of happiness. For some, a bike, a phone, or the latest fashion accessory. For others, like me, it is a moment shared with loved ones, the beauty of a sunset, or the sound of rain on a quiet evening. One person might need wealth to feel secure or happy, while another might feel free and alive with nothing but a backpack and the open road. Happiness changes depending on its source.

What is important to understand is that neither path is wrong. Happiness at its core is deeply personal. It is shaped by who we are, what we value, and what we need at different points in our lives. What I have found is that happiness is not a fixed state. It evolves with us, changes as we change. Maybe someone who finds happiness in material things today will later find joy in experiences or relationships. And that is perfectly okay. Similarly, someone like me who does not find happiness in material things today might find myself in need of money or material comforts later. That too is natural. We change, our circumstances change, and with that the sources of our happiness can change as well.

So, can money buy happiness? Maybe for some it can, and maybe for others it can not. But the real question is not whether it can or not, it is whether we can respect each other’s differences. Why compare or judge what brings joy to others? We should understand that it is okay to have different sources of happiness. What matters is the honor we give to these differences and coexist peacefully, knowing that happiness is as diverse as the people who seek it. 

It is not about the money or the possessions, it is about understanding that happiness is a personal journey. Whether you find it in the things you own or the experiences you cherish, what truly matters is that you find it on your own terms. And that, in itself, is a kind of happiness that money can never buy.

Film Appreciation: Into the Wild

Into the Wild is a film released in 2007, It is not just a film but an experience that pulls you into the heart of nature and the complexities of the human spirit. Directed by Sean Penn and based on Jon Krakauer’s novel, it chronicles the true story of Christopher McCandless, a young idealist who abandons his possessions and conventional life to seek liberation in the Alaskan wilderness. From the very first frame the film grips you with McCandless's passionate decision to leave behind the comforts of society, his family and a promising future in pursuit of authenticity and self discovery.

Visually this film is a masterclass in cinematography. The film captures the breathtaking beauty of America’s diverse landscapes, from sunny deserts to towering mountains and lush forests. Each shot is meticulously crafted that draws the viewer into McCandless’s journey. It is as if the camera itself becomes a character, reflecting his awe and wonder at the natural world around him. The cinematography resonates with a sense of adventure and exploration.

The music and songs primarily composed and performed by Eddie Vedder, adds an unparalleled emotional depth to the narrative. Songs like "Society", "Hard Sun" and "Guaranteed" echo the film's themes of isolation and wilderness that enhances every pivotal moments. The soundtrack feels like a character in itself that guides the audience through McCandless’s highs and lows and amplifying the film's cruicial moments.

As the story unfolds we meet characters who impact McCandless’s understanding of life and relationships. Each encounter whether it is the kind hearted hippie couple or the wise old man, highlights the tension between his idealistic quest for solitude and the fundamental human need for connection. These moments are beautifully nuanced, illustrating how McCandless despite his quest for independence remains deeply affected by those he meets along the way. The film masterfully explores themes of freedom, identity and the consequences of isolation, prompting viewers to reflect on the choices they make in their own lives.

One of the film's most powerful aspects is its refusal to glorify the tragic end. Instead it invites contemplation about the balance between adventure and responsibility. It challenges viewers to wonder whether true freedom lies in the wilderness or within valuable human relationships. This exploration of duality elevates the film beyond a simple adventure story. It becomes a philosophical journey that resonates with anyone who has ever felt constrained by societal norms.

This film stands as a classic rustic film because it embraces the spirit of exploration and the raw beauty of the natural world. It celebrates simplicity and authenticity, contrasting with the complexities of modern life. The film's emphasis on self reliance and a return to nature reflects freedom and connection to the earth. This quality resonates deeply with audiences who appreciate films that encourage a deeper appreciation for the environment and the experiences that life has to offer.

Into the Wild is a must watch for those who appreciate films that challenge conventional ideas of success and happiness. It is for anyone who has ever felt to break free from societal expectations, or the need to search for something deeper. The film speaks to dreamers, wanderers and those questioning their place in the world. With its powerful performances, stunning cinematography and moving soundtrack, making you rethink what it truly means to be free.

Joker: Folie à Deux Review

When the sequel to Joker  was announced, expectations were naturally high. Joker (2019) was a monumental hit, not just because of Joaquin Phoenix’s masterful portrayal of a troubled, marginalized man, but for its realism, social commentary and the raw, uncomfortable truths it forced audiences to confront. So when Joker: Folie à Deux was introduced as a musical thriller, I was initially intrigued. But after watching it, that intrigue quickly turned to disappointment.

The decision to make this film a musical was bold, but bold does not always mean good. While musicals can elevate a film by offering deeper emotional expression through song, here it felt a little too much. What made the original film compelling was its immersive atmosphere grimy, suffocating and deeply personal. By contrast, these over-the-top musical scenes detracted from the psychological intensity, making it hard to take any of the more serious moments seriously.

The core of the movie was shockingly weak. It lacked the depth and nuance of its predecessor, often feeling like it was trying too hard to replicate the success of the first film without the same emotional weight. What we got instead was a convoluted mess, with disjointed subplots and a lack of clear direction. It seemed like the writers could not decide whether they wanted this to be an exploration of Psychotic madness or simply another chaotic descent into the Joker’s mind. In the end, it was neither. 

Joaquin Phoenix is undeniably one of the best actors of our time, but even his dedication to the role could not save Joker: Folie à Deux. His portrayal of the Joker, while still engaging, was weighed down by the film’s lack of Plot. In many scenes, it felt like Phoenix was left to carry the entire movie on his shoulders. It was a frustrating experience to watch an actor of his caliber struggle to bring life to a film that did not seem to know what it wanted to be.

The addition of Harley Quinn, played by Lady Gaga, had the potential to bring a fresh dynamic to the film. Her portrayal of Quinn felt flat, lacking the vibrant, unhinged energy that fans associate with the character. The relationship between her and Phoenix which should have been the core of the movie, felt more like a plot device.  Instead of exploring the tragic complexities of their shared delusions, the film gave us a shallow, melodramatic romance that did little to resonate emotionally.

One of the few redeeming qualities was its visual presentation. The cinematography was striking, with vivid, surreal imagery that mirrored the Joker’s unstable psyche. But beautiful visuals can only go so far. The film lacked the emotional core that made the original so compelling. Instead of feeling immersed in Arthur Fleck’s world of madness, I found myself detached, unable to connect with his struggles or sympathize with his struggle.

What made Joker (2019) a success was its ability to make us question society’s treatment of the marginalized and mentally ill, forcing us to confront uncomfortable truths about the world we live in. This film attempted to build on this foundation, but instead, it drifted off into nonsensical territory. Rather than offering a deeper exploration of Arthur’s psyche or a fresh take on his relationship with Harley Quinn. 

This film is a prime example of a sequel that should never have been made. Instead of expanding on the rich themes of the first film, it sacrificed substance for style. While there are moments of brilliance, particularly in Phoenix’s performance, but even that could not save the film. In the end, this film felt like a missed opportunity, a shallow follow-up to a film that deserved a much better sequel.

Rating: 5/10⭐️

Sattam En Kaiyil Review

Sattam En Kaiyil, directed and written by Chachi, alongside co-writer JM Raja is a crime thriller featuring Sathish, Rithika, Ajay Raj, Pavel Navageethan and others. I went in with zero expectations, but the film quickly proved itself a gripping watch. The movie dives straight into its plot without wasting time. Gautham, the protagonist, accidentally hits a bike with his car in a night and gets caught by the police. What unfolds that night forms the core of the story.  

What makes Sattam En Kaiyil stand out is its tight writing and brilliant screenplay. From the very start, you are hooked. The pacing is fast, and keeps you always wondering, "What next?" The characters are easy to connect with, and soon, you are right there with them, feeling their tension. Throughout the movie, you are restless but in a good way, anticipating the next twist.  

The first half brilliantly sets the stage, but it is the second half where the film truly shines. As the suspense deepens, twist after twist keeps you glued to your seat. The film builds towards an incredibly satisfying conclusion, tying up all loose ends without feeling rushed.  

Shot in the scenic Yercaud hills, the locations perfectly complement the eerie crime vibe of the film. The cinematography captures the moody landscape, and the coloring adds to the atmosphere. The background score is another win, with haunting music filling in the quieter moments, giving you chills when you least expect it. Together, these elements create a rich, immersive viewing experience.  

Character wise, the film is solid. Each actor plays their part well. Every character feels well thought out, with enough screen time for all to shine. Sathish, however, could have shown a bit more emotional depth in a few key scenes, though this does not take away from the overall experience.  

Overall, Sattam En Kaiyil stands out as a meticulously crafted crime thriller that knows how to engage its audience from start to finish. The tight screenplay, atmospheric setting, and well executed twists make it a gripping experience. The suspense builds masterfully, never giving away too much too soon. The way all the plotlines come together in the end is both satisfying and thoughtful, ensuring that nothing feels left unresolved. 

Rating: 8/10⭐️

Why Meiyazhagan's Songs Are Special And Will Stand the Test of Time

Meiyazhagan is a film directed by C Premkumar, which hit theaters on September 27, 2024. The music, composed by Govind Vasantha of  "Thaikkudam Bridge" fame, deserves a lot more attention than it is currently getting. The album, though not an instant hit, has the potential to resonate deeply with listeners over time, and here is why I believe it will.

To begin with, there are six songs in the film, all released on a single day. In an era where films tease us with song releases one by one to build hype, This film did something traditional and refreshing. They released the entire album in a day, a bold move that takes us back to older times when music was not used merely for promotion but for storytelling. Even more interestingly, the makers brought back the old-school charm of releasing a songbook, reviving the nostalgic feeling of leafing through pages filled with lyrics, offering a sweet touch.

Now, let us talk about the songs themselves. Each of the six tracks has its own soul and depth. Unlike the trend-driven music we often hear today, these songs are rich with meaning. The lyrics resonate with emotions and tie directly into the film’s narrative. From the first song, "Poren Naan Poren", to "Yaaro Ivan Yaaro", each track becomes a part of the plot and enriches the experience.

"Poren Naan Poren" tells the tale of a young man who is forced to leave his birthplace. The song beautifully captures the emotional conflict of someone deeply attached to their home, now compelled to part from it. It reflects the sentiment of many who have had to migrate from their hometowns, connecting with those who understand the heartache of leaving behind something precious.

Then comes "Delta Kalyanam", a song that celebrates the charm of a village style wedding. It is filled with delightful details about the culture, the food and the simple joys of such a celebration. Listening to it feels like being a part of a wedding in the next village. The familiarity it brings make it a feel-good song, highly relatable to anyone who has witnessed a traditional Tamil wedding.

"Oor Manney" is a more reflective track. It delves into the protagonist’s confusion and regret as he revisits his village. He is unsure why he returned and the memories of the past overwhelm him. The song captures the emotional turmoil of confronting a place that once hurt you and the struggle to find peace with it. 

"Arul Mei" raises a crucial question in the story: Who is Karthi, the mysterious figure who enters Arvind Swamy’s life? The song explores the protagonist’s uncertainty, echoing a familiar situation many of us face when a stranger or long-lost relative suddenly becomes a part of our lives. The song plays with that feeling of not knowing who someone truly is.

Then there is "Yaaro Ivan Yaaro". In this track, the protagonist is overwhelmed by the selfless love of Karthi. He does not know how to react to this pure, unconditional affection. The song beautifully portrays the discomfort we sometimes feel when we encounter selflessness that we are not used to or do not know how to reciprocate.

Finally, we have "Veri", which is not a full-fledged song but more of a theme. It speaks about the pride of Jallikattu and the Tamil identity, a cultural song that adds richness to the narrative.

The beauty of Meiyazhagan’s music is how it enhances the story and makes the film a more immersive experience. It is relatable, emotional, and speaks to universal themes of love, regret, and identity. While it may not have gotten the instant attention it deserves, I believe these songs will find their place and be appreciated over time. They are not just songs for the moment, they are songs for a lifetime, ones that will continue to resonate as we reflect on their meaning.